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Composed by John Lewis
Jazz great and Bach fanatic John Lewis, of Modern Jazz Quartet fame, brought a quirky humor to his music for Night Gallery, exemplified in this cue underscoring one of Aunt Ada's conjuring scenes. Clarinets and flutes make sardonic commentary in a worried conversation with quivering strings, electronics, hammered dulcimer, harpsichord, and plucked double-bass, producing an appropriately weird ambience.
Reused in "Big Surprise," "Pickman's Model," "Tell David..." and the introduction to "The Waiting Room."
