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Composed by Oliver Nelson
For this unusual love story Nelson mixes standard acoustic instruments with electronics. A love theme of pastoral gentleness clashes with episodes of violence and moody fantasy in a musical score of wild extremes, reflecting the emotions of the main characters and the bizarre developments in the narrative. Nelson's music is as strange as the story it tells—thoroughly original, highly effective and reused many times on Night Gallery, most prominently in "Pickman's Model," "There Aren't Any More MacBanes," "You Can't Get Help Like That Anymore," and in Serling's introductions to "The Devil Is Not Mocked," "The Funeral," and "The Miracle at Camafeo."
