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Whitmore's greatest strength as a writer is his ability to pierce the human psyche -- particularly one that is struggling with the horrors and amorality of warfare and its weaponry. In War Hunt (1962), the writer explored the emerging insanity of a Korean War soldier who begins to enjoy killing the enemy, and the resulting psychological effects this aberration has on his comrades-in-arms. This film received numerous honors, including the Outstanding Film of the Year award at both the 1962 London and Australia film festivals. In "Little Girl Lost," Whitmore masterfully adapts E.C. Tubb's dark tale of a brilliant physicist working on a top-secret nuclear project, whose battlefield is the province of his own mind, brought forth by the delusion that his late daughter is still alive -- a psychosis actively cultivated by a military-industrial complex more concerned with science, than a man's sanity. Unlike War Hunt, this story examines an individual's rage not only against personal injustice, but the madness and exploitation he sees in the world around him, both real and imagined. Whitmore's adaptation is a cautionary tale for the human race -- the ultimate consequence of sacrificing humanity in the pursuit of technological superiority. Paired with "The Caterpillar" on March 1, 1972 and a classic in its own right -- "Little Girl Lost." (NOTE: For the purpose of maintaining the integrity of the original source material, all typographical errors made in this script have been left intact.)
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